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There would be absolutely no point beginning it with a song like ‘Black Country’ [the distinctively energetic track that kicked off the debut].”\u003cbr\u003e \u003cbr\u003eIn terms of content, \u003cstrong\u003eAfterglow\u003c\/strong\u003e expands upon the progression that took place between \u003cstrong\u003eBCC \u003c\/strong\u003eand \u003cstrong\u003eBCC2\u003c\/strong\u003e. Rich in hooks, melodies and choruses, it’s nonetheless another of those highly rewarding albums that bears additional fruit with repeated spins. An air of expectancy and excitement greets the unveiling of \u003cstrong\u003eAfterglow\u003c\/strong\u003e.\u003cbr\u003e\u003cbr\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003ctable width=\"600\" border=\"1\" cellpadding=\"1\" cellspacing=\"1\"\u003e\n\u003ctbody\u003e\n\u003ctr\u003e\n\u003ctd valign=\"top\"\u003e\n\u003cstrong\u003eTracklisting CD\u003c\/strong\u003e:\u003cbr\u003e\n\u003cdiv\u003e1. Big Train\u003c\/div\u003e\n\u003cdiv\u003e2. 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Any effects were added at the mixing desk. I used a Kemper Profiling Amp for some of the weird sounds, and that was it. Live these days it's just my guitar and amp and a couple stomp boxes — and I just go for it.\"\u003c\/div\u003e\u003cbr\u003e\n\u003cdiv\u003e\n\u003cstrong\u003eTracklisting\u003c\/strong\u003e:\u003cbr\u003e\n1. Judgement Day\u003cbr\u003e2. Creep Motel\u003cbr\u003e3. Once Again\u003cbr\u003e4. Right The Wrong\u003cbr\u003e5. Transition\u003cbr\u003e6. Last Man Standing\u003cbr\u003e7. Do I Stand Alone\u003cbr\u003e8. Rest Of The World\u003cbr\u003e9. 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By the time you hear the performances from these two shows, Gov't Mule will have celebrated 25 years as a band -- something we never could have imagined. It's no easy task keeping a band together for 25 years. You don't get to do that without having built, nurtured, depended on, tested, damaged, and rebuilt important relationships. In fact, with any band that's stayed around that long, it's all about relationships. When we made the decision to document where the band is currently (musically speaking), it immediately occurred to us that this would be, among other things, a celebration of a lot of those relationships -- starting with the one between the four of us.\u003cbr\u003e\u003cbr\u003e\n\u003c\/div\u003e\n\u003cdiv\u003eThe title, \u003cem\u003eBring On The Music\u003c\/em\u003e, is obviously taken from the song of the same name that deals not only with loss and the passing of time, but also with our relationship with our audience as well. Without our audience, there would be no chance or reason for us to be around 25 years later.\u003cbr\u003e\u003cbr\u003e\n\u003c\/div\u003e\n\u003cdiv\u003eIt was also obvious that we wanted to film and record at the Capitol Theatre in Port Chester, New York, which is one of our favorite venues. Since its re-opening in 2012, myself and Gov't Mule (together and separately) have played there many times and have had many magical shows there. To quote Jerry Garcia, 'There's only two theaters, man... The Fillmore and the Capitol Theatre.' \" - \u003cem\u003e\u003cstrong\u003eWarren Haynes\u003cbr\u003e\u003cbr\u003e\u003c\/strong\u003e\u003c\/em\u003e\n\u003c\/div\u003e\n\u003cdiv\u003e\n\u003cspan style=\"text-decoration: underline;\" data-mce-style=\"text-decoration: underline;\"\u003e\u003cstrong\u003eTracklisting:\u003c\/strong\u003e\u003c\/span\u003e\u003cbr\u003eA1. Thorazine Shuffle (Live)\u003cbr\u003eA2. Mule (Live)\u003cbr\u003eB1. Pressure Under Fire (Live)\u003cbr\u003eB2. 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By the time you hear the performances from these two shows, Gov't Mule will have celebrated 25 years as a band -- something we never could have imagined. It's no easy task keeping a band together for 25 years. You don't get to do that without having built, nurtured, depended on, tested, damaged, and rebuilt important relationships. In fact, with any band that's stayed around that long, it's all about relationships. When we made the decision to document where the band is currently (musically speaking), it immediately occurred to us that this would be, among other things, a celebration of a lot of those relationships -- starting with the one between the four of us.\u003c\/div\u003e\n\u003cp\u003e\u003cbr\u003e\u003c\/p\u003e\n\u003cdiv\u003eThe title, \u003cem\u003eBring On The Music\u003c\/em\u003e, is obviously taken from the song of the same name that deals not only with loss and the passing of time, but also with our relationship with our audience as well. 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By the time you hear the performances from these two shows, Gov't Mule will have celebrated 25 years as a band -- something we never could have imagined. It's no easy task keeping a band together for 25 years. You don't get to do that without having built, nurtured, depended on, tested, damaged, and rebuilt important relationships. In fact, with any band that's stayed around that long, it's all about relationships. When we made the decision to document where the band is currently (musically speaking), it immediately occurred to us that this would be, among other things, a celebration of a lot of those relationships -- starting with the one between the four of us.\u003c\/div\u003e\n\u003cbr\u003e\n\u003cdiv\u003eThe title, \u003cem\u003eBring On The Music\u003c\/em\u003e, is obviously taken from the song of the same name that deals not only with loss and the passing of time, but also with our relationship with our audience as well. Without our audience, there would be no chance or reason for us to be around 25 years later.\u003c\/div\u003e\n\u003cbr\u003e\n\u003cdiv\u003eIt was also obvious that we wanted to film and record at the Capitol Theatre in Port Chester, New York, which is one of our favorite venues. Since its re-opening in 2012, myself and Gov't Mule (together and separately) have played there many times and have had many magical shows there. To quote Jerry Garcia, 'There's only two theaters, man... 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